His body horror films explore predatory transformation and the violation of bodily autonomy through visceral, mutating creatures that embody primal hunting instincts.

His documentaries and narratives obsessively examine the predator-prey dynamic between humans and nature, particularly in films like Grizzly Man and Aguirre, the Wrath of God.

His stylized thrillers depict predatory masculinity and ritualistic hunting through hypnotic visual language, exploring the seductive danger of apex predators in human form.