His films celebrate intimate apparel and undergarments as expressions of desire, identity, and femininity, particularly in works like 'Women on the Verge of a Nervous Breakdown' and 'All About My Mother'.

He explores the relationship between clothing, the body, and sexuality through a provocative lens in films like 'Crash' and 'M. Butterfly', treating garments as sites of psychological and physical transformation.

Her work examines the politics of fashion, the female body, and intimate wear as tools of both empowerment and constraint in contemporary cinema.