Tracing the thread…
His films like 'A City of Sadness' and 'The Assassin' explore spiritual presences and ancestral memory intertwined with personal and historical trauma.
Tsai Ming-liang TaiwanHis work frequently features ghostly, liminal spaces and the haunting of urban environments, particularly in films like 'Goodbye, Dragon Inn' which is set in an abandoned cinema.
Apichatpong Weerasethakul ThailandHis films like 'Uncle Boonmee Who Can Recall His Past Lives' directly engage with Buddhist concepts of ghosts, reincarnation, and the presence of the dead in everyday life.