Gods and mortals

His films like 'Teorema' and 'Salò' explore the collision between divine transcendence and human depravity through provocative examinations of power, desire, and mortality.

His masterpieces 'Vampyr' and 'Gertrud' investigate the intersection of spiritual yearning and human suffering, portraying mortals caught between earthly passion and otherworldly forces.

His contemplative cinema in films like 'Stalker' and 'The Mirror' meditates on humanity's search for meaning and the divine through poetic explorations of faith, time, and transcendence.