Venice

His masterpiece 'Death in Venice' is a profound meditation on beauty, decay, and obsession set in the city's decadent landscape.

He captured Venice's atmospheric isolation and existential emptiness in films like 'Il Grido,' exploring human disconnection amid the city's Byzantine architecture.

'Don't Look Now' transforms Venice into a labyrinthine character itself, where the city's canals and shadows become inseparable from psychological dread and mystery.