amnesia and identity

His films like Memento and The Prestige obsessively deconstruct memory, identity, and the unreliability of perception through complex narratives.

Mulholland Drive and Inland Empire explore fractured identities and memory loss through surrealist dreamscapes where reality and delusion intertwine.

Last Year at Marienbad and Hiroshima Mon Amour fundamentally interrogate memory, time, and the construction of personal identity through innovative narrative structures.