automobile absurdism

His films, particularly Eraserhead and Inland Empire, present cars and roads as surreal, nightmarish spaces where logic dissolves into absurdist dread.

Weekend features one of cinema's most iconic absurdist sequences: a traffic jam that becomes a hallucinatory landscape of violence and societal collapse.

Sátántangó and Werckmeister Harmonies treat automobiles as symbols of human futility within vast, mechanized worlds governed by incomprehensible forces.