automobiles

His films obsessively feature cars as symbols of modernity, consumerism, and existential alienation, most notably in 'Pierrot le Fou' and 'Weekend.'

He explores the visceral fusion of human bodies and automobiles as sites of transformation and violence, culminating in the transgressive masterpiece 'Crash.'

His action thrillers treat cars as extensions of character and destiny, with 'The Driver' and 'The Getaway' presenting automobiles as central to masculine identity and survival.