belonging and displacement

Her films explore rootlessness and marginal figures searching for connection and home, particularly in 'Vagabond' and 'The Gleaners and I.'

He examines family bonds, social exclusion, and the meaning of belonging through intimate portraits of displaced or fragmented households in 'Nobody Knows' and 'Shoplifters.'

His socially conscious cinema focuses on the working class and economically displaced, exploring how systemic forces alienate people from community and stability in 'I, Daniel Blake' and 'Kes.'