biblical drama

His *The Gospel According to St. Matthew* and *The Canterbury Tales* deeply explore biblical narrative and spiritual themes through a radical, humanistic lens.

His films *The Last Temptation of Christ* and *Silence* engage profoundly with faith, doubt, and biblical/religious struggle as central dramatic conflicts.

His *Passion of Joan of Arc* and *Ordet* explore faith, sacrifice, and redemption through intensely spiritual cinematography and theological questioning.