biological hazard

His body horror films like 'The Fly' and 'Videodrome' obsessively explore the biological hazards of mutation, disease, and physical transformation.

His surreal, visceral works such as 'Possession' depict the body as a site of biological and psychological contamination and decay.

'The Thing' and 'The Fog' masterfully weaponize biological hazards as paranoia-inducing threats that corrupt and consume from within.