Tracing the thread…
His films obsessively depict cars as vessels of American anxiety, desire, and the dark underbelly of car-dependent culture, most notably in Mulholland Drive and Wild at Heart.
Jean-Luc Godard FranceHe consistently used cars as symbols of modernity and capitalism, from the iconic traffic jam in Weekend to exploring automotive design as cinematic language throughout his career.
Jonah Hill USAHis films celebrate cars as extensions of character and freedom, with masterworks like The Driver and 48 Hrs. making automobiles central to masculine identity and urban mythology.