cattle trafficking

His neorealist films like 'Umberto D.' expose systemic exploitation and survival struggles in post-war society, mirroring the desperation of trafficking victims.

His socially conscious cinema in films like 'I, Daniel Blake' documents how vulnerable populations are exploited within broken systems of labor and commerce.

His films such as 'A Separation' and 'The Salesman' explore moral complexity and power imbalances that underlie human trafficking and coercion.