convent invasion

His provocative films like 'The Devils' (1971) directly depict institutional religious spaces under siege with surreal, transgressive imagery challenging sacred boundaries.

His work frequently interrogates religious institutions and their violation, particularly in 'Teorema' (1968), using the intrusion into sacred spaces as metaphor for ideological disruption.

His exploration of hidden darkness within seemingly pure institutions, combined with surreal narratives of transgression and violation, creates an unsettling engagement with sanctified spaces under threat.