crime vs law enforcement

His films like 'Serpico' and 'Dog Day Afternoon' meticulously examine the moral corruption within law enforcement institutions and the personal cost of fighting systemic injustice.

His crime thrillers like 'Heat' and 'Collateral' create philosophical dialogues between criminals and law enforcement, exploring their parallel codes and existential similarities.

His films such as 'Oldboy' and 'The Handmaiden' deconstruct notions of justice and vengeance, questioning whether law enforcement or personal retribution can ever truly restore moral order.