cure vs acceptance

His films explore acceptance of life's imperfections and human flaws rather than seeking to 'cure' emotional or social wounds, particularly in works like 'Shoplifters' and 'Nobody Knows'.

His socially conscious films examine systemic suffering and societal problems, often questioning whether institutional 'cures' address root causes or if acceptance and solidarity offer more authentic solutions.

His provocative works like 'The Killing of a Sacred Deer' and 'Poor Things' interrogate attempts to control, cure, and 'improve' human nature, versus embracing absurdity and acceptance of the inexplicable.