Tracing the thread…
His films like 'Stalker' and 'Mirror' use rivers and water as metaphysical symbols of fate, memory, and spiritual curses that transcend physical reality.
Tsai Ming-liang TaiwanHis works frequently feature stagnant water, flooded spaces, and rivers as landscapes of existential decay and urban curse in contemporary settings.
Béla Tarr HungaryHis monochromatic, apocalyptic films like 'Sátántangó' depict cursed communities trapped near desolate waterscapes, embodying despair and inescapable doom.