cycling

His masterpiece 'Bicycle Thieves' (1948) uses the bicycle as a central metaphor for poverty, dignity, and social injustice in post-war Rome.

He explores cycling culture and urban movement in films like '28 Days Later' and uses bicycles as symbols of freedom and survival in contemporary landscapes.

His contemplative films often feature cycling and movement through space as metaphors for human connection, journey, and philosophical exploration of modern life.