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His films 'A Single Man' and 'Nocturnal Animals' are infused with meticulous visual aesthetics and fashion sensibility that blur the line between haute couture and cinematic storytelling.

His maximalist visual style in films like 'The Great Gatsby' and 'Moulin Rouge!' treats fashion as a primary narrative device, with costumes and design rivaling the plot itself.

His musicals 'The Umbrellas of Cherbourg' and 'The Young Girls of Rochefort' elevate fashion and costume design to an art form where clothing becomes inseparable from character and emotion.