fraud

His films like *The Wolf of Wall Street* (as influence) and *Gone Girl* meticulously dissect deception, manipulation, and the performance of false identities.

He explores fraud through elaborate deceptions and mistaken identities in works like *The Skin I Live In*, examining how people construct false personas.

His films like *Close-Up* blur reality and fiction to question the nature of truth itself, making fraud and authenticity central philosophical concerns.