frontier business

His iconic Westerns like 'The Man Who Shot Liberty Valance' and 'The Searchers' define the frontier mythos and explore the moral complexities of civilization's expansion into wild territories.

His spaghetti Westerns, particularly 'The Good, the Bad and the Ugly,' reimagined the American frontier as a lawless commercial space where business and survival are inseparable.

Films like 'Aguirre, the Wrath of God' and 'Fitzcarraldo' examine frontier obsession and the destructive ambition of entrepreneurs pushing into unexplored territories.