Tracing the thread…
His films like Midsommar and Hereditary use natural settings as claustrophobic, supernatural spaces where forests become manifestations of dread and ancient evil.
Robert Eggers USAThe Witch and The Lighthouse immerse viewers in isolated, atmospheric environments where nature itself feels haunted and hostile to human presence.
Akira Kurosawa JapanHis films like Kairo and Cure blend supernatural horror with natural landscapes to create a pervasive sense of invisible, malevolent forces inhabiting ordinary spaces.