identity and conformity

His films like 'The Killing of a Sacred Deer' and 'The Favourite' explore how individuals are forced to conform to arbitrary social rules and power structures that reshape identity.

Films such as 'Fight Club' and 'The Social Network' interrogate how identity is constructed, consumed, and lost within systems of capitalist conformity and digital culture.

His work, particularly 'Shoplifters' and 'Broker,' examines how individuals create identity and belonging outside societal norms while grappling with the pressure to conform.