identity and paranoia

His films like *Zodiac*, *Gone Girl*, and *The Game* meticulously explore fractured identities and psychological paranoia through unreliable narratives and obsessive protagonists.

He masterfully examines paranoia and identity dissolution in works like *Rosemary's Baby* and *The Tenant*, where psychological dread blurs reality and delusion.

His existential cinema, particularly *Blow-Up* and *The Passenger*, interrogates identity instability and paranoid uncertainty in modern alienation.