light and water

His films obsessively explore water and light as metaphysical forces, most profoundly in 'Mirror' and 'Stalker' where they become vehicles for spiritual contemplation.

Light suffuses every frame of his work as a divine presence, while water appears as a transformative element representing grace and the flow of human experience.

His visual style weaponizes light and water to create dreamlike atmospheres where neon reflections in rain become the primary language of emotion and memory.