luck and fate

His interconnected narratives in films like *Babel* and *21 Grams* explore how chance encounters and coincidences shape human destinies across continents.

His visually poetic cinema constantly questions whether characters' meetings are destined or purely accidental, most notably in *Chungking Express* and *In the Mood for Love*.

Films like *Gone Girl* and *The Game* methodically deconstruct how seemingly random events and human choices intertwine to create predetermined outcomes.