madness and delusion

His films like *Black Swan* and *The Fountain* obsessively explore psychological unraveling and the blurred boundaries between reality and delusion through visceral, subjective cinematography.

Works such as *Repulsion* and *The Tenant* meticulously document the descent into madness and paranoia, trapping audiences within fractured mental states.

His dreamlike narratives in *Mulholland Drive* and *Eraserhead* construct labyrinthine worlds where reality fractures into layers of delusion and psychological mystery.