mass surveillance

His films like Blow Out and Body Double obsessively explore voyeurism, surveillance technology, and the ethics of watching, making surveillance anxiety central to his visual storytelling.

In films like The Killing of a Sacred Deer and Poor Things, he creates claustrophobic worlds where characters are trapped under systems of control and constant observation.

Her work examines power dynamics, control, and the invasion of privacy in domestic and institutional spaces, particularly in Destroyer and The Invitation.