misogyny and violence

His films like 'Irréversible' and 'Climax' unflinchingly depict brutal violence and explore how misogyny intersects with physical and psychological trauma.

Works such as 'Antichrist' and 'Nymphomaniac' deliberately confront misogynistic violence and female victimization through provocative, disturbing imagery and narratives.

His body horror films including 'Videodrome' and 'Crash' examine violence and sexuality through a lens that critiques how women's bodies are objectified and violated.