mod fashion

His films like 'Blow-Up' (1966) are iconic explorations of 1960s mod culture, youth rebellion, and the intersection of fashion with existential alienation.

Films such as 'Bande à part' (1964) and 'Pierrot le fou' (1965) celebrate mod aesthetics and youthful style as central to the narrative and visual language.

His film 'Kes' (1969) captures the working-class mod subculture and fashion as a form of social identity and resistance in 1960s Britain.