modernist aesthetics

His films deconstruct narrative and emotion through fragmented editing, long takes, and geometric mise-en-scène that prioritize visual abstraction over plot.

He systematically dismantles cinema conventions through self-reflexivity, non-linear storytelling, and experimental form that treats film as visual text rather than illusion.

His work explores cinema as pure form through extended duration, philosophical inquiry, and sculptural use of image to transcend narrative conventions.