neighbor conflicts

His films like 'Shoplifters' and 'Broker' explore the invisible boundaries between strangers and neighbors, examining how proximity creates unexpected intimacy and moral complexity.

In 'The Killing of a Sacred Deer' and 'The Favourite,' he depicts relationships twisted by proximity and obligation, where neighbors become instruments of psychological torment.

His observational comedies and dramas like 'High Hopes' and 'Another Year' capture the friction, class tensions, and emotional disconnections between people forced to coexist in close quarters.