numerical systems

His films obsessively explore mathematical patterns, numerical obsession, and the breakdown of rational systems, particularly in *π* and *The Fountain*.

He systematically deconstructs narrative through precise numerical structures, codes, and data systems in films like *Zodiac*, *The Game*, and *Gone Girl*.

His films manipulate temporal and numerical sequences as core storytelling devices, inverting time and fragmenting chronology in works like *Memento*, *Interstellar*, and *Tenet*.