park

His films frequently use parks and public spaces as microcosms of social class conflict and human behavior, most notably in 'Parasite' and 'Mother'.

She consistently filmed in parks and gardens as spaces of freedom, memory, and social observation, exploring community and nature in works like 'Vagabond' and 'The Gleaners and I'.

His poetic cinema treats natural landscapes and parks as spiritual spaces where characters contemplate existence, family, and mortality across films like 'The Tree of Life' and 'A Hidden Life'.