Tracing the thread…
His westerns like 'The Man Who Shot Liberty Valance' and 'My Darling Clementine' deconstruct the myth of the outlaw hero and frontier justice in American culture.
Damien Leone ItalyHis spaghetti westerns, particularly 'The Good, the Bad and the Ugly,' elevated outlaws to anti-heroic mythological status while interrogating morality and legend-making.
Jean-Luc Godard FranceHis films like 'Bande à part' and 'Pierrot le fou' romanticize and deconstruct the outlaw lifestyle as a rejection of bourgeois society and societal norms.