resurrection and survival

His films explore spiritual regeneration and the persistence of memory as forms of resurrection, particularly in works like 'Stalker' and 'Mirror.'

His bleak yet profound cinema examines human endurance and moral survival in the face of decay and despair, culminating in the apocalyptic 'Sátántangó.'

His films reclaim sacred and profane mythology to explore resurrection through artistic creation and social critique, as seen in 'The Gospel According to St. Matthew.'