satire of hood films

His films like 'Do the Right Thing' and 'Clockers' deconstruct and critique stereotypical portrayals of Black urban life while exploring systemic inequality.

He uses horror and social commentary to satirize Black cultural tropes and media representations, particularly in 'Get Out' and 'Us'.

Their gritty, intense films like 'Good Time' subvert crime narratives and hood aesthetics through anxious realism rather than glorification.