science gone wrong

His body horror films like 'The Fly' and 'Videodrome' obsessively explore the grotesque consequences of scientific experimentation and technological advancement on the human form.

Films like 'Stalker' and 'Solaris' philosophically examine how scientific pursuits to understand and control reality lead to existential dread and moral ambiguity.

His surreal narratives in works like 'Eraserhead' and 'The Elephant Man' depict science and industry creating nightmarish, incomprehensible worlds that defy rational control.