self-worth beyond physical ability

His films consistently explore human dignity and value independent of productivity or physical capability, particularly in works like 'Shoplifters' and 'Broker'.

She examines internal worth and psychological depth in characters often marginalized or underestimated by society, as seen in 'You Were Never Really Here' and 'The Killing of a Sacred Deer'.

His intimate character studies celebrate emotional and spiritual richness over external validation, exploring identity and self-acceptance in films like 'Mommy' and 'It's Only the End of the World'.