split-screen narrative

Pioneered split-screen techniques in psychological thrillers like *Sisters* and *Dressed to Kill* to create voyeuristic tension and simultaneous action sequences.

Uses split-screen in films like *Live Flesh* and *Parallel Mothers* to explore parallel narratives and interconnected character stories with emotional depth.

Employs split-screen and multi-narrative structures in works like *Vagabond* and *The Gleaners and I* to juxtapose perspectives and create poetic, fragmented storytelling.