subjective truth

His masterpiece 'Rashomon' presents four conflicting accounts of the same event, fundamentally questioning the nature of truth and memory.

His films like 'Mulholland Drive' and 'Eraserhead' deliberately blur reality and subjective perception, trapping viewers in unreliable narratives.

His 'Three Colors Trilogy' and 'Dekalog' explore how different characters experience truth differently based on their moral and personal perspectives.