trauma and loss

Her fragmented, visceral narratives dissect psychological trauma and maternal grief through innovative visual storytelling, as seen in *You Were Never Really Here* and *A Woman Walks Into the Sea*.

His long takes and minimal interventions force viewers to witness the slow accumulation of loss and relational damage, exploring how past trauma reverberates through families in films like *4 Months, 3 Weeks and 2 Days*.

His cyclical narratives and repetitive structures expose how characters are trapped by unresolved loss and emotional wounds, creating profound meditations on memory and regret in works like *The Day After* and *Claire's Camera*.