visual obliteration

Pioneer of experimental cinema who obscured and abstracted visual representation through scratching film, painting directly on celluloid, and eliminating recognizable imagery to explore pure visual perception.

Creates deliberately obscured narratives and uses darkness, extreme long takes, and visual ambiguity to dissolve conventional cinematic clarity and viewer comprehension.

Employs pervasive darkness, grain, fog, and whiteout to obliterate visual clarity while exploring themes of decay and the erasure of meaning in apocalyptic landscapes.