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His body horror and transformation themes explore the blurring of human and animal nature, most notably in films like 'The Fly' and 'Videodrome.'

He crafted iconic werewolf and creature-feature narratives that examine the duality of civilized versus primal nature in works like 'The Howling.'

His visceral approach to creature horror and hybrid monster mythology creates intense explorations of human-animal transformation in films like 'Dog Soldiers.'