wormhole physics

His films like *Interstellar* and *The Prestige* deeply explore non-linear spacetime, dimensional traversal, and the physics of wormholes as central narrative and visual elements.

*Arrival* and *Dune* engage with complex spatial and temporal concepts, with *Arrival* specifically featuring non-Euclidean communication that challenges conventional physics.

His philosophical science fiction films like *Stalker* and *Solaris* explore mysterious spaces and dimensional boundaries as metaphysical and psychological phenomena beyond conventional physics.