1960–1972
Cinema Novo Brazil
Cinema Novo (Portuguese pronunciation: [siˈnemɐ ˈnovu]; 'New Cinema'), is a genre and movement of film noted for its emphasis on social equality and intellectualism that rose to prominence in Brazil during the 1960s and 1970s. Cinema Novo formed in response to class and racial unrest both in Brazil and the United States. Influenced by Italian neorealism and French New Wave, films produced under the ideology of Cinema Novo opposed traditional Brazilian cinema, which consisted primarily of musical
Glauber Rocha · Joaquim Pedro de Andrade · Nelson Pereira dos Santos
Glauber o Filme, Labirinto do Brasil (Sylvio Tendler
2003
Rocha que Voa (Eryk Rocha
2001
À Meia noite com Glauber (Ivan Cardoso
À Meia noite com Glauber (Ivan Cardoso
1997
L’Homme aux cheveux blues (Sylvie Pierre and Georges Ulmann
L’Homme aux cheveux blues (Sylvie Pierre and Georges Ulmann
1986
