Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.
Glauber Rocha’s ‘Black God, White Devil’ is monumental for any Brazilian filmmaker. It showed how politically charged films could also be formally daring. Its aesthetic of hunger, its violence, its passion — it’s all something we absorb. It definitely shaped my understanding of what Brazilian cinema could be.