A forged 500-franc note is passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is—which will have devastating consequences on his life.
Robert Bresson's 'L'Argent' demonstrates that kind of 'rigorous economy' and 'unflinching gaze' into the human condition—that objectivity and compass that is true north. That was something I really aimed for in Tár.