A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.
Cinema Atlas Connection
I watched Fassbinder's films again, particularly Querelle... The film itself didn't influence Matador, because it's completely different, but the general concept of desire in Querelle and its visual abstraction might have influenced me.
The film itself didn't influence Matador, because it's completely different, but the general concept of desire in Querelle and its visual abstraction might have influenced me.
— Pedro Almodóvar · Almodóvar on Almodóvar (collected interviews by Frédéric Strauss), p. 48