Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Kiarostami is someone whose films I really admire, particularly The Wind Will Carry Us. There are moments in my films where characters are inside cars, driving around and having conversations—perhaps it's like a kind of unconscious influence.